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- Milwaukee-based father/son duo Tom and Ian Spanic have similar voices. They twine them into that sort of extra-close harmony that can only come from family members singing together. On their third album, 1992's STRANGE WORLD, the Spanics refine the often manic roots rock sound of their first two records into a smoother yet somehow more powerful blend of country, rockabilly, sweet pop, and even hints of raucous Replacements-style sloppy rock & roll. The jangling "All Alone" is a true pop classic on a par with anything ever written by either Chris Stamey or Marshall Crenshaw. The exciting ra...
Milwaukee-based father/son duo Tom and Ian Spanic have similar voices. They twine them into that sort of extra-close harmony that can only come from family members singing together. On their third album, 1992's STRANGE WORLD, the Spanics refine the often manic roots rock sound of their first two records into a smoother yet somehow more powerful blend of country, rockabilly, sweet pop, and even hints of raucous Replacements-style sloppy rock & roll. The jangling "All Alone" is a true pop classic on a par with anything ever written by either Chris Stamey or Marshall Crenshaw. The exciting ra...
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Milwaukee-based father/son duo Tom and Ian Spanic have similar voices. They twine them into that sort of extra-close harmony that can only come from family members singing together. On their third album, 1992's STRANGE WORLD, the Spanics refine the often manic roots rock sound of their first two records into a smoother yet somehow more powerful blend of country, rockabilly, sweet pop, and even hints of raucous Replacements-style sloppy rock & roll. The jangling "All Alone" is a true pop classic on a par with anything ever written by either Chris Stamey or Marshall Crenshaw. The exciting ra...
Milwaukee-based father/son duo Tom and Ian Spanic have similar voices.
They twine them into that sort of extra-close harmony that can only come from family members singing together.
On their third album, 1992's STRANGE WORLD, the Spanics refine the often manic roots rock sound of their first two records into a smoother yet somehow more powerful blend of country, rockabilly, sweet pop, and even hints of raucous Replacements-style sloppy rock & roll.
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