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Includes liner notes by Hal G. Neely. Possessing a fluid, versatile guitar style and a smoky, understated voice, Albert King was a major influence on Stevie Ray Vaughn. (Vaughn readily acknowledged King's influence on him and often praised the elder's immense talent.) By the time of THE BIG BLUES, King had long perfected his sound after years of touring. On "Let's Have A Natural Ball," and "I Get Evil," King's voice is as expressive as any blues singer of his time, including Muddy Waters or Jimmy Reed (he backed the latter on a number of recordings). King is remembered by many for his dabb...

Includes liner notes by Hal G. Neely. Possessing a fluid, versatile guitar style and a smoky, understated voice, Albert King was a major influence on Stevie Ray Vaughn. (Vaughn readily acknowledged King's influence on him and often praised the elder's immense talent.) By the time of THE BIG BLUES, King had long perfected his sound after years of touring. On "Let's Have A Natural Ball," and "I Get Evil," King's voice is as expressive as any blues singer of his time, including Muddy Waters or Jimmy Reed (he backed the latter on a number of recordings). King is remembered by many for his dabb...

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    Includes liner notes by Hal G. Neely. Possessing a fluid, versatile guitar style and a smoky, understated voice, Albert King was a major influence on Stevie Ray Vaughn. (Vaughn readily acknowledged King's influence on him and often praised the elder's immense talent.) By the time of THE BIG BLUES, King had long perfected his sound after years of touring. On "Let's Have A Natural Ball," and "I Get Evil," King's voice is as expressive as any blues singer of his time, including Muddy Waters or Jimmy Reed (he backed the latter on a number of recordings). King is remembered by many for his dabb...

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    Possessing a fluid, versatile guitar style and a smoky, understated voice, Albert King was a major influence on Stevie Ray Vaughn.

    (Vaughn readily acknowledged King' s influence on him and often praised the elder' s immense talent.) By the time of THE BIG BLUES, King had long perfected his sound after years of touring.

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